antagonist

The growing list of movies dealing with utopian/dystopian issues can not be simply dismissed as a Hollywood capitalization of our consumer need for or addiction to widescreen rehearsals of a humanity in crisis, facing apocalypse or enduring to the point of near extinction: catastrophe. Or rather the need is there but for not obvious reasons. [...]

An unlikely analogy between a book and a movie.

Animating objects through reflexively acquired subjectivity.