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	<title>antagonist &#187; Benjamin</title>
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		<title>The Horror-furnishings of Incipient High Capitalism</title>
		<link>http://www.antagoni.st/2009/11/15/the-horrorfurnishing-of-incipient-high-capitalism/</link>
		<comments>http://www.antagoni.st/2009/11/15/the-horrorfurnishing-of-incipient-high-capitalism/#comments</comments>
		<pubDate>Sun, 15 Nov 2009 23:50:51 +0000</pubDate>
		<dc:creator>Rodney</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[arcades]]></category>
		<category><![CDATA[Benjamin]]></category>
		<category><![CDATA[capitalism]]></category>
		<category><![CDATA[horror]]></category>

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		<description><![CDATA[The eidolas of Kafka's work.]]></description>
			<content:encoded><![CDATA[<p>Empty, brightly lit streets as we enter cities at night. They surround us in fan-shaped formation, travel out and away from us like rays of mandorla. And the glance into a room will always find a family at a meal or else occupied with some obscure niggling thing at a table under a hanging lamp, its white glass globe set into a metal frame. Such <em>eidola</em> are the germ cells of Kafka&#8217;s work. And this experience remains an inalienable possession of his generation, his only &#8211; and therefore our, because only for it do the horror-furnishings of incipient high capitalism fill the screens of its most luminous childhood experience. -Unexpectly, the street emerges here such as we never otherwise experience it, as was, a built-up thoroughfare.</p>
<p>Walter Benjamin in <em>The Arcades Project</em></p>
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